What is Lola Rennt about?


What is Lola Rennt about?

In this visually and conceptually impressive film, two-bit Berlin criminal Manni (Moritz Bleibtreu) delivers some smuggled loot for his boss, Ronnie (Heino Ferch), but accidentally leaves the 100,000 mark payment in a subway car. Given 20 minutes to come up with the money, he calls his girlfriend, Lola (Franka Potente), who sprints through the streets of the city to try to beg the money out of her bank manager father (Herbert Knaup) and get to Manni before he does something desperate.Run Lola Run / Film synopsis

Why did Lola have to run in Run Lola Run?

The story follows a woman named Lola (Franka Potente) who needs to obtain 100,000 Deutschmarks in twenty minutes to save the life of her boyfriend Manni (Moritz Bleibtreu). Run Lola Run screened at the Venice Film Festival, where it competed for the Golden Lion.

What news did Lola’s father tell Lola when he walked her out the bank?

Her father tells her that he’s divorcing her mother and that he is not her real father. Even though she doesn’t have the money, Lola decides to leave the bank and go to Manni anyway.

Why is animation used in Run Lola Run?

The animation is a maximised way of showing that anything goes. It is only the imagination which sets the boundaries. Structurally speaking, the animation in the film is always the starting point for all domino principle type of changes in the causal chain.”

Who was the guy in the ambulance in Run Lola Run?

It’s actually the security guard at the bank. In sequence two, the guard clutches his chest as if he’s having a heart attack after Lola holds up the bank. In the third sequence, when he sees Lola outside, he stares at her and we can hear the sound of a heartbeat pounding.

How is Run Lola Run postmodern?

Run Lola Run is one of the best examples of a postmodern film. It takes a very simple premise but throws convention-busting events at the audience. It sometimes feels like the director, Tom Tykwer, is testing the audience to see how much they can accept. This is the epitome of a postmodern film.